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Painting: L ORIGINE DE LA SCULPTURE OU PYGMALION PRIANT VENUS D ANIMER SA STATUE

Painting ID: 75248

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Baron Jean-Baptiste Regnault L ORIGINE DE LA SCULPTURE OU PYGMALION PRIANT VENUS D ANIMER SA STATUE

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Baron Jean-Baptiste Regnault:
Paris 1754-1829 French painter. His first teacher was the history painter Jean Bardin, who took him to Rome in 1768. Back in Paris in 1772, he transferred to the studio of Nicolas-Bernard Lepicie. In 1776 he won the Prix de Rome with Alexander and Diogenes (Paris, Ecole N. Sup. B.-A.) and returned to Rome, where he was to spend the next four years at the Academie de France in the company of Jacques-Louis David and Jean-Francois-Pierre Peyron. While witnessing at first hand Peyron's development of a manner indebted to Poussin and David's conversion to Caravaggesque realism, Regnault inclined first towards a Late Baroque mode in a Baptism of Christ (untraced; recorded in two sketches and an etching), then, in Perseus Washing his Hands (1779; Louisville, KY, Speed A. Mus.), to the static Neo-classicism of Anton Raphael Mengs.

Related Paintings to Baron Jean-Baptiste Regnault :.
| Attributed to Jan Provost--The Crucifixion | Attributed to Nicola da Urbino -- Plate Pasiphae | George O Malley by William Salter | Sandro Botticelli - Four Scenes from the Early Life of Saint Zenobius | Giovanni Battista Tiepolo--Aged Dignitary Attended by Mercury and Prudence | | A Nurse with a Baby | Self-Portrait wtih straw hat (nn04) | Mad Cow | Kinshasa tractor driver | Le Colporteur |


 


 

 

 

 

 

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Baron Jean-Baptiste Regnault